Hybrid Fragment System

Hybrid Fragment System

Jhouyu HSIEH


I no longer trust that names bring understanding,

nor do I submit to inherited taxonomies.

This system was built

to generate a form of existence,

so unstable that even naming becomes untenable.

Each hybrid emerges not from a single ecology, species, or cultural lineage,

but from dislocated contexts, misaligned intentions.

They carry with them trembling classifications,

obscured origins, and drifting narrative lines.

I begin my creation at the moment of their first utterance,

so that each fragment is not a flaw,

but a trace of existence not yet admitted into reality.

At a certain point, the hybrids begin to recount themselves,

and in doing so, generate themselves.


註:我來自台灣雲林,成長於傳統廟宇後院,這段「半歸屬」的經驗讓我長期關注生命的命名與排除。我自2015年起持續投入物種敘事與生態神話的創作與研究,並於2025發展新系列《混種殘片系統》。


Note: I was born in Yunlin, Taiwan, and grew up in the backyard of a traditional temple. This experience of partial belonging has led to a long-term inquiry into how life is named and excluded. Since 2015, I have worked across species-based narratives and ecological mythologies, leading to the development of the new series Hybrid Fragment System in 2025.


The Third Mouthbrooder / Hybrid Fragment System .1
第三口孵者/ 混種殘片系統 第一部曲

土婆章魚 / 混種殘片系統 第二部曲
Tupuo Octopus / Hybrid Fragment System .2

孢鳴魚 / 混種殘片系統 系列之三
Sporosonic Fish / Hybrid Fragment System .3

混種殘片系統 第四部曲
Hybrid Fragment System No. 4

工具蟹/ 混種殘片系統 第五部曲
The Tool-Crab / Hybrid Fragment System. 5